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The cookie is used to store the user consent for the cookies in the category 'Analytics'. Diese Cookies stellen grundlegende Funktionalitäten und Sicherheitsmerkmale der Website sicher, anonymisiert. For returns and blending wet with dry I usually stick to things like parallel compression, reverb, delay, etc.Notwendige Cookies sind für das ordnungsgemäße Funktionieren der Website unbedingt erforderlich. You can do it how you want if it gets you the desired sound. (Dubs banger's layering video inspired me to try the technique)Īlways best to use transient shapers on the actual sound vs a return, IMO. Transient Master is essentially best used on busses or track groups, for adding an extra punch or calm down a harsh embedded percussion frequency. Just wondering what the best method is for achieving a phat sound to my drums. I have before thought about if applying compressors / transient shapers at the sound level is over kill (too processed) but in the end we're all seeking the best sound right? This may be deviating towards another topic but while messing around with layering drums i split left vs right channels of a particular sound and applied LP & HP, and different EQ settings for each at the sound level.

I suppose even on the return and blending the wet/dry signals would be interesting. Enhance attack, control mix presence, fix problem recordings the secret spice in your mix.

What's up IMAKEDABEATS, where do you prefer to apply the 'Transient Master', on the individual sound level, program, or submix. FrankWhite4Mayor wrote: IMAKEMADBEATS wrote:I use NI's 'Transient Master' which is the same thing really, most drums I program.

Transient master vst